A film where anything can happen - the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: The love between man and woman... in an archetypical love story cut from 500 classics from all around the world.
The life of Prince John, youngest child of Britain's King George V and Queen Mary, who died at the age of 13 in 1919.
Betty, who dreams of love, refuses to put up with the rules and conventions of the time.
As he does at the end of every summer, Antonio climbs onto his roof to sweep out his chimney. From this vantage point, he sees that repairs have begun on one of the neighbouring houses - the one formerly inhabited by the "Nazi" (a guy's name), which after ten years of abandonment is known to the whole neighbourhood as the "mystery house". With the arrival of fall, Antonio will uncover love, deception, and death, by watching through his window.
An intimate portrait of director Mai Zetterling that includes interviews with Zetterling, David Hughes (Zetterling’s ex-husband and the cowriter of LOVING COUPLES, NIGHT GAMES, and THE GIRLS), and actors Harriet Andersson, Ingrid Thulin, and Bibi Andersson.
The depressed Adolf has been visited by his new friend friend Gustav who is in contact with him about what he is going to do with his wife Tekla.
A Swedish journalist in Buenos Aires is about to reveal the circumstances surrounding the young Swedish-Argentine woman Lena Melin's disappearance. The military junta of Argentina is threatening to deport him.
Berit Elisabet Andersson (November 11, 1935 – April 14, 2019) or better known professionally as Bibi Andersson (Swedish: [ˈbɪ̂bːɪ ˈânːdɛˌʂɔn]), was a Swedish actress who was best known for her frequent collaborations with filmmaker Ingmar Bergman Her artistic dreams came early in life and were further supported by her older sister Gerd Andersson who became a ballet dancer at the Royal Opera and made her acting debut in 1951. Bibi, on the other side, had to make do with bit parts and commercials. She debuted in Dum-Bom (1953), playing against Nils Poppe. Eventually, she was able to start at the Royal Dramatic Theatre's acting school in 1954. A brief relationship with Ingmar Bergman made her quit school and follow him to the Malmö city theatre, where he was a director, performing in plays by August Strindberg and Hjalmar Bergman. Bergman also gave her a small part in his comedy Smiles of a Summer Night (1955), and larger roles in his Wild Strawberries (1957) and The Seventh Seal (1957). From the the 1960s she got offers from abroad, with best result in I Never Promised You a Rose Garden (1977). During the civil war in Yugoslavia she has worked with several initiatives to give the people of Sarajevo theatre and other forms of culture.
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