In four stories inspired by humorous tales by Ariano Suassuna, each created based on phrases by the poet from Paraíba, we meet Helder, Fabiano, Pierce and Lorena, living different situations where, ironically, the lie is always the protagonist.
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
32 renowned Brazilian screenwriters of the contemporary Brazilian cinema talk about their creative processes. From the concept of script to their agreements and disagreements, going through their experiences with filmmakers, their reaction to the finished film, critic, and even controversies on auteurism.
A young woman is fated to relive the love of an earlier life. Separated by time, young Serena and botanist Rafael surmount all obstacles as they live a love that is stronger than fate itself. These challenges include the lovely but ambitious Cristina, who is obsessed by the rich botanist and driven nearly mad by her attempts to shatter their great love. A romantic comedy set in the 1940s, Soul Mate underscores the importance of love, family values and the ties of affection with a light touch and plenty of humor.
O Quinto dos Infernos was a 2002 mini Brazilian historical comedy television series. It was written by Carlos Lombardi, and directed by Wolf Maya and 48 episodes were produced. The protagonist was Marcos Pasquim.
After stirring society by leaving her groom at the alter and going directly to a prostitution house, a young model becomes the city's most famous harlot, known as "Hilda the Hurricane", in the 50's Brazil. She could do fine if it wasn't for Malthus, a young novice said to be a saint, for whom she falls in love. However, the boy is kept under the strict, severe doctrine of Father Nelson, a conservative priest intolerant even to every minor sin. Things start getting harder when Roberto, Malthus' old friend and a communist reporter (the actual author of the story), tries to interview Hilda and disclosure the real reasons behind her radical change of mind. In the meantime, the middle-classes are terrified by the "leftist threat" in Brazilian politics.
Adapted from the homonymous work by Rachel de Queiroz, it presents the saga of a woman against female submission in nineteenth-century patriarchal society.
Carlos Alberto Mendes Gregório (Rio de Janeiro, August 31, 1947) is a Brazilian actor, director, writer and screenwriter.
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