This long-awaited biopic provides a vivid account of the remarkable life of Anita Mui in and behind the limelight, chronicling her journey from a child performer to becoming one of world's most recognized music icons.
The film follows an emotionally harrowing journey endured by young gay photographer Alex, after he is diagnosed with peritoneal cancer. Abandoned by his brother and his on-again, off-again lover, Alex is forced to face his mortality and the loss of his sexual identity through sheer resilience. A devastating, but ultimately hopeful story of survival and resolve.
Revolves around a group of individuals who are all connected by a lost bottle of breast milk.
Reckless police inspector Sai Gau (Zhang Jin) is on a mission to crack down on criminal Shing's (Shawn Yue) gold smuggling scheme, yet fails to arrest him. As Sai Gau continues his manhunt, he discovers Shing's involvement with triad boss Blackie (Yasuaki Kurata), who hides on a casino cruise ship on the high seas. Shing has been involved in a power struggle within the smuggling ring, and is forced to kill his adopted father. He also loses his share of gold smuggling to Blackie. To get even, Shing appears on the cruise, while Sai Gau is there to hunt for him.
Shawn Yue and Miriam Yeung reprise their popular roles as a star-crossed couple who strive to stay together happily ever after, only to find their already precarious relationship further strained, when Jimmy’s childhood friend asks him to donate sperm, and Cherie is troubled by the re-marriage of her father.
A suspect is killed while the ICAC team is investigating illegal soccer gambling in Hong Kong.
An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.
A gambler is targeted for murder during the wedding of his daughter to his protege.
Set in old rural district, Charlie pretends to be an ALS patient so he can gain sympathy from others. He runs a charity organization where he secretly carries out all sorts of nasty business. The village chief Fung Yan-bing is a dishonest man who likes to test others with money and take advantage of them. Along comes a beautiful woman named Yu Zan, a materialistic lady who loves money more than anything. However, the woman is carrying the baby of her ex-boyfriend who is a well-known tycoon's heir. The arrival of the baby will soon change the mentalities and nature of the three problematic human beings
Childhood friends Tracy, Chloe and Alice share an apartment over the summer. They live close together, meet guys and sell their company as well as sex. With a romantic imagery and sometimes provocative theme the female debutant director Luk Yee-sum give the audience a playful story about sexuality, desire and friendship.
Derek Tsang Kwok-Cheung (曾國祥; born 8 November 1979) is a Hong Kong film director and actor. The son of actor Eric Tsang, Tsang got his start in the Hong Kong film industry working for director Peter Chan Ho-Sun after graduating from the University of Toronto Scarborough in 2001. He made his acting debut in Men Suddenly in Black (2003) and directorial debut with Lover's Discourse (2010), sharing the directing credit with Jimmy Wan Chi-man. The duo was nominated for a Golden Horse Award for Best New Director in 2010. His solo directorial debut Soul Mate (2016) was critically praised, receiving a Hong Kong Film Award for Best Film nomination at the 36th Hong Kong Film Awards. His next film Better Days (2019) was the Hong Kong submission for the Academy Awards and received a Best International Feature Film nomination, becoming the first Hong Kong submission directed by a Hong Kong native to do so. After graduation, he moved back to Hong Kong, where his father arranged for him to work under director Peter Chan Ho-Sun. There, he met producer Jojo Hui and director Jimmy Wan Chi-man, both of whom would go on to be Tsang's frequent collaborators. Despite not pursuing an acting career, Tsang has had a variety of acting roles since the start of his career, which he attributed to other actors not wanting to be typecast into roles with unflattering characteristics. He made his screen debut in Men Suddenly in Black (2003), cameoing as the younger version of his father's character. There he met director Pang Ho-cheung, whom Tsang would later collaborate with on various projects. Tsang made his solo directorial debut with Soul Mate (2016). He was subsequently nominated for Best Director awards at various film award ceremonies, including at the 36th Hong Kong Film Awards and the 53rd Golden Horse Awards. His next film, Better Days (2019), won eight out of 12 categories at the 39th Hong Kong Film Awards, including Best Film and Best Director. The film was subsequently chosen as the official entry for Hong Kong for Best International Feature Film at the 93rd Academy Awards. It was shortlisted but lost to Denmark's Another Round. He was the first native Hong Kong director in the category. Tsang said his influences are primarily derived from art-house cinema, with early influences from director Wong Kar-wai and the French New Wave, as opposed to his father Eric Tsang's works, which consisted of mostly of mainstream comedies. He credits his half-sister Bowie Tsang for teaching him about film and literature. Tsang married actress Venus Wong in 2019. He has expressed a reluctance to cast Wong due to the negative perception of nepotism.
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