Lifelong friends Lenny Sugarman and Ruben Liebner , both in their 70s, both dyed-in-the-wool New Yorkers, barely recognize the Manhattan of their youth. The city they’ve loved for decades has become a playground for the too-rich; their places, the ones they’ve frequented for years, are now refuges from a changing world they’re increasingly unable to keep up with. When Lenny—a lone schemer all his life—finally gets in over his head, he decides to seek the one thing he’s never had: true love. But to achieve it, he may have to abandon the only place he’s ever known. THE LAST NEW YORKER is a tale of friendship, love and the world’s greatest city -- and how all three keep us young and make us feel alive.
Buddy Gilbert (Gavin Bellour) is a struggling musician living in NYC. He spends his days touring the northeast with his pet turtle, playing community centers, dive bars and coffee shops because, he says, it beats a 9-to-5. One day, Buddy overhears his neighbor Susan (Elisabeth Moss) get in a particularly bad argument with her boyfriend and, although he barely knows her, he finds himself taking her out for some cheer-me-up ice cream.
A tale of a philosophical womanizer who is forced to question his seemingly carefree existence.
Manhattan prosecutor Nick is charged with looking into the untimely death of city resident Matt, a musician who had AIDS. As she questions Matt's loyal family members — mother Lila and sister Dana — she comes to learn that his closest pal, health-care worker Brian, is an ardent believer in assisted suicide and that he threw Matt a big party before his death. This presents a dilemma for the humane but dutiful Nick.
Griffin Byrne is the idealistic new history, English and maths teacher in Father Frank Larkin's school in a mainly Latino ghetto neighborhood where most kids, even many of its graduates, end up in crime and poverty. He takes a particular interest in one of the boys nobody believes will ever come to anything, Lee Cortes, who he finds to be a prodigy in cartoon drawing but who never spoke a word at school, and always wears a Walkman, essentially because of his home situation: his elder brother Tyro, a drug dealer, abuses him and his mother, so he often stays home to mind the smallest siblings. Griffin tries everything to help Lee, despite everyones cynicism, even takes him in his bachelor flat, but finds the whole family situation must be solved, which is probably beyond his power, yet tries tireless, even if he gets nothing but abuse and the results seem to do more hurting then helping...
Walter and Hume, roommates in a veterans home, are complete opposites. Walter is a sarcastic wise mouth who loves to speak his mind. Hume is meticulous and quiet but loves to wind Walter up. Tired of being poked, prodded, and placated with pills by the nursing staff, the two escape. Determined to end their lives in quiet dignity, they load their weapons and hail a cab to a remote wooded area.
Isaac Geldhart is a Holocaust survivor who, overcome by grief at the recent death of his wife, seems determined to run his publishing firm into the ground by printing books that have no hope of financial success. His son Aaron, who also works at the company, grows frustrated with Isaac's emotional decline and attempts to take over the firm. The resulting crisis involves Isaac's other two children, his daughter Sarah and his dying son Martin.
The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."
A client's claims of incest cause an attorney to remember the traumas she suffered when she was a sexually abused child. Instead of debilitating her, it only motivates the lawyer to fight harder to change California's inadequate child-molestation laws. ~ Sandra Brennan, Rovi
A high-school student debates whether to come forward about the facts of a tragic drunk-driving accident.
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