A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca. As night falls, people start to disappear and things not quite human start to appear. Paul is pursued by the entire town. Running for his life, he uncovers Imboca's secret..they worship Dagon, a monstrous god of the sea...and Dagon's unholy offspring are on the loose...
13-year-old Milio admires his older brother Luis who belongs to a drug gang in a poor Madrid suburb. But after the death of a friend and gang member, Luis himself only wants to get out of the dealer scene and lead a normal life.
The triumph of a young man in an important erotic literature contest reaches the ears of his grandmother.
A rivalry between two actors proves to have dangerous consequences in this drama from Spain. Daniel (Federico Luppi) is the star of a popular television series who is interested in more prestigious work. and longs to appear on the legitimate stage. Daniel is lobbying for the leading role in Divertimento, a well-known play that made a star of leading man Bernardo Gabler (Francisco Rabal). When Daniel pays a visit to the theater where the play is being staged, he discovers to his surprise that Bernardo is waiting for him. Bernardo is not at all eager to turn over his signature role to another actor and insists on putting Daniel through a punishing audition, which turns out to be the least of Daniel's problems when Bernardo forces him to help hide a corpse, implicating him in a murder Bernardo claims to have committed.
Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life.
This is the story of a young Irish woman who comes to Spain to escape from the pressures she feels about her impending marriage to a political activist in Ireland. But in Spain in the 1930's, taking a job of governess in a wealthy family, she finds the same kinds of political unrest. In fact, it isn't long before she finds herself attracted to a married man who is similarly involved in the struggle against fascism and Franco. This awakens her to her nature that brings her to such men and resolves for her what she must do about the life she left in Ireland
Tells the story of Almar, a young Norwegian sailor whose gold watch, of great sentimental value, has been broken. While waiting for repairs in a remote Spanish town, he meets a number of unusual characters: Windy, an Australian seafarer with unusual experiences, real or imaginary; Marta, a beautiful Spanish girl; Martha's bizarre grandfather; and two old watchmakers who are painfully methodical. It seems to Almar that real time has also stopped when his watch did.
From Wikipedia, the free encyclopedia Francisco Rabal (March 8, 1926 – August 29, 2001), perhaps better known as Paco Rabal, was a Spanish actor born in Águilas, a small town in the province of Murcia, Spain. In 1936, after the Spanish Civil War broke out. Rabal and his family left Murcia and moved to Madrid. Young Francisco had to work as a street salesboy and in a chocolate factory. When he was 13 years old, he left school to work as an electrician at Estudios Chamartín. Rabal got some sporadic jobs as an extra. Dámaso Alonso and other people advised him to try his luck with a career in theater. During the following years, he got some roles in theater companies such as Lope de Vega or María Guerrero. It was there that he met actress Asunción Balaguer; they married and remained together for the rest of Rabal's life. Their daughter, Teresa Rabal, is also an actor. In 1947, Rabal got some regular jobs in theater. He used his full name, Francisco Rabal, as stage name. However, the people who knew him always called him Paco Rabal. (Paco is the familiar form for Francisco.) "Paco Rabal" became his unofficial stage name. During the 1940s, Rabal began acting in movies as an extra, but it was not until 1950 that he was first cast in speaking roles, and played romantic leads and rogues. He starred in three films directed by Luis Buñuel - Nazarín (1959), Viridiana (1961) and Belle de jour (1967). William Friedkin thought of Rabal for the French villain of his 1971 movie The French Connection. However, he could not remember the name of "that Spanish actor". Mistakenly, his staff hired another Spanish actor, Fernando Rey. Friedkin discovered that Rabal did not speak English or French, so he decided to keep Rey. Rabal has previously worked with Rey in Viridiana. Rabal did, however, work with Friedkin in the much less successful but Academy Award-nominated cult classic Sorcerer (1977), a remake of The Wages of Fear (1953). Throughout his career, Rabal worked in France, Italy and Mexico with directors such as Gillo Pontecorvo, Michelangelo Antonioni, Luchino Visconti, Valerio Zurlini, Jacques Rivette and Alberto Lattuada. It is widely considered that Rabal's best performances came after Francisco Franco's death on 1975. In the 1980s, Rabal starred in Los santos inocentes, winning the Award as Best Actor in Cannes Film Festival, in El Disputado Voto del Señor Cayo and also in the TV series Juncal. In 1989, he was a member of the jury at the 39th Berlin International Film Festival. In the 1999 he played the character of Francisco Goya in Carlos Saura Goya en Burdeos, winning a Goya Award as Best Actor. Francisco Rabal is the only Spanish actor to have received a honoris causa doctoral degree from the University of Murcia. Rabal's final movie was Dagon, a film which was dedicated to him right before the credits. The dedication read "Dedicated to Francisco Rabal, a wonderful actor and even better human being." Rabal died in 2001 from compensatory dilating emphysema, while on an airplane travelling to Bordeaux, when he was coming back from receiving an Award at Montreal Film Festival. Description above from the Wikipedia article Francisco Rabal, licensed under CC-BY-SA, full list of contributors on Wikipedia.
By browsing this website, you accept our cookies policy.