Kristina is a transgender sex worker in Serbia. She plays herself in an eponymous film that portrays her daily life with reticence in accordance with the rules of fiction. We’re in Kristina’s home with her. With camp elegance, she contentedly arranges ikebana in the luxuriant, baroque shade of her garden. The surprisingly shrill ringtone of her telephone disrupts the idyllic scene and Kristina reels off the prices of her services to the caller. Tracing an inner journey in the secret calm of churches and forests, the film also opens up a space of confession in its core, in frontal shots where Kristina tells her story. It does not, however, follow the path of repentance. On the contrary, it asserts the profound freedom of a modern woman, captured majestically in a bold portrait with strokes inspired by iconostases that tend towards the divine.
Picture of most likely our greatest enemy but motivation as well - ego. Lonely, lost and confused, destructed and abused. How much we really know ourselves? How indeed we are capable to keep our love clear?
This is a story, actually a fairytale for adults, that expresses how life could be beautiful, if only mankind would get out of its own way and enjoy it for a change.
Relying on the work of Letonian scientist Constantine Raudive, Marko Mazibrada, a psychiatrist disappointed in his profession, performs experiments aimed to empirically determine whether there is life after death, by phenomenon of apophenia. Together with Simon Besedić, alcoholic and editor of Armageddon Monthly, the magazine that deals with the paranormal phenomena, Nikola Mrzopoljić, manual labourer and paterfamilias, and Eta, pharmacist and unusual prostitute which Besedić offers a relationship, he experiences a sequence of weird events...
This film is a fascinating story about the life of Mileva Maric, a Serbian woman who was Albert Einstein’s first wife. It is an uplifting dramatic story about a woman who was a life companion during the most fruitful period of Einstein’s scientific work. Mileva intentionally carried to her grave one of the greatest secrets of modern science about her real contribution to the scientific work of Albert Einstein. Beside this eternal mystery, the film wishes to depict the love and dedication of Mileva to his husband’s fate, carrying herself a real Central European destiny of the first half of the XXth century.
The hardships of a young female refugee and her personal melodrama of being forced to choose between two men, out of whom she prefers the poorer one.
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