The posthumous wish of Eiji's wife is for her ashes to be scattered in the ocean near her hometown. Eiji also learns that his wife letter for him at the post office before she died.
Mizuki plays a 35-year-old woman named Kurumi, who suddenly loses everything in her life when her fiance runs off with all of her assets. Left with a mere 15,000 yen and some boxes of ohagi (a type of rice ball), the despairing Kurumi happens upon a construction site, and she begins handing out the ohagi to the men working there. Using the theme of food, "Tenshi no Wakemae" depicts Kurumi's journey as she turns her life around.
Genjuro’s crime was assassination, his punishment was to survive a faked execution and lose his home, lose his identity, and emerge as Maboroshi Shinigami, the Phantom Assassin. When his wife is kidnapped and tortured to reveal his whereabouts and dragged to the executioner for crucifixion by corrupt clan officials, Genjuro faces an army of swords to save her. Evil men aim to frame Genjuro for another murder. For their scheme they need only one thing, Genjuro’s dead body. Genjuro will have to cut down their swordsmen and challenge Sarashina Gunpei, deadliest blade in Japan in a final blood-soaked battle.
In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.
A live-action adaptation of Jun'ichirō Tanizaki's masterpiece "Shōshō Shigemoto no Haha (Captain Shigemoto's Mother)". Set in the glorious Heian Dynasty, the TV movie decipts the story of a mother and son torn apart for an irrational reason, and how they are reunited 40 years later.
When Sakuragi Haruko's father's factory is bombed, Oba Hiroto stops Haruko when she tries to rescue her father from the fire. They meet again a few years later when Haruko is working as a nurse and Hiroto is brought in as a patient with a heart condition. The second couple is a Korean man, Boku Hitoshi, and another nurse, Yamada Kazue
Set in Tokyo in 1940, the peaceful life of the Nogami Family suddenly changes when the father, Shigeru, is arrested and accused of being a Communist. His wife Kayo works frantically from morning to night to maintain the household and bring up her two daughters with the support of Shigeru's sister Hisako and Shigeru's ex-student Yamazaki, but her husband does not return. WWII breaks out and casts dark shadows on the entire country, but Kayo still tries to keep her cheerful determination, and sustain the family with her love. This is an emotional drama of a mother and an eternal message for peace.
Focus, concentration, proper posture and good release are the hallmarks of a good bowler. Welcome to Golden Bowl bowling alley. A bit rundown and small but no worse for wear, the Golden Bowl is stockbroker Shu Akutagawa's favorite haunt. A regular, he likes nothing better than the rumble of the bowl running down the alley and crash and crackle of the pins tumbling down. When a beautiful, older and married neighbor - who shares the same name as his old flame Hitomi - makes an appearance at the Golden Bowl, things start to heat up as Shu teams up with her to challenge some pro bowlers. Will Shu be as lucky with Hitomi as he is with the pins? --NTV
Based on the long running manga of the same name by Sadao Shouji.
Set in a sake brewery in Niigata, from the Taisho to the Showa period, Retsu is a visually impaired girl with a strong will to make her own way in the world. Her aunt, Saho, watches over and supports her. The series centered on two women with opposing positions and personalities, depicting "home" as a member of pre-war Japanese society, along with a variety of human figures.
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