A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera
A village on the Venezuelan coast, a place of fishermen and big haciendas, Aquiles Vargas, a white aristocrat in somewhat reduced circumstances, fights with Cruz Guaregua, a humble black fisherwoman, and mother of his only son, a half-caste 'mestizo'.
Based on the play by José Ignacio Cabrujas, it is a comedy with deep popular roots and, essentially, Latin American.
Adonai Flores, an experienced writer of telenovelas, falls in love with Belén Helena, a girl of low class. Adonay, desperate to keep her with him, abandons his responsibilities and even his dog. After discovering that she is a drug dealer he decides to leave her and recovers his dog
Humberto and Atilio, two elderly men confined in a nursing home, decide to flee when they see the arrival of some ballot boxes through the window, which makes them assume that their lives are in danger. The escape causes the mobilization of an entire military strategic team while the two elderly men and Daniel, an employee of the nursing home, wander around the roads of the area. In the end, they are unexpectedly armed and confront the “enemy”.
Hilda Vera, (Caracas, Venezuela, May 27, 1923 - Ibidem, February 1, 1988) was a leading Venezuelan film, television and theater actress, a pioneer of Venezuelan TV.
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