A wedding editor stumbles upon a murder while working on a wedding project and must unmask the killer before becoming the next victim.
David, a young middle-class Jewish boy, overweight, homosexual and afraid of flying, returns to Buenos Aires from Europe when his uncle dies. During his time there, David learns that his mother has decided to disconnect his father from the ventilator.
In a tiny rural village in Argentina, Rita Lopez, a pious yet insatiably competitive woman, discovers that staging a miracle could be her ticket to sainthood.
Antonio wanders the streets of Buenos Aires in search of money and sex. The magnetism he exerts on the people who cross his path allows him to steal and cheat them. Only his mother, with whom he has a confictual relationship, will get over his feeling of impunity and will push him to leave for a trip to the south of Argentina.
An employee at a private school is promoted and beyond that she has the strength to attack her dead husband for not being a man when he was traveling with her in a bus.
Lava (2019), the animated film Ayar Blasco presented at the 34th edition of the Mar del Plata Film Festival, left many subplots unresolved in a sci-fi narrative in which an alien civilization dominated the planet through technological devices. This incompleteness, which could then be attributed to the director’s aesthetics, always free and prone to absurdity, was actually a pause that now, four years later, is resumed. The protagonist continues to be Débora, a somewhat insecure tattoo artist who ends up involved in the resistance when a new batch of invaders threatens to wipe out every single record of the human race. With the childlike strokes and the uncontrollably innocent humor characteristic of him, Blasco continues to shape his own epic, a hallucinated version of El Eternauta, with click beetles and all.
Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.
María Fernanda and Roberto have a tortuous relationship: they spend most of their day fighting. Problem is, their fights irradiate a laziness wave that overcomes little by little all of humanity. Both of them will have no other choice but to work out their problematic relationship, before the Laziness Wave destroys the world.
Lucas and Caro are a thirty-something couple who, after seven years of romance, are facing a crisis due to a worn-out and reproachful relationship. In this way they consider how effective are all the prejudices that build our traditional relationships and ties
Iair Said was born in 1988 in Buenos Aires. He is an actor, director and script writer.
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