Based on a real case in Siberia, a woman lost in the taiga is forced to wander with several families engaged in hunting.
The story is based on the real events of 1985. The team of a Russian polar icebreaker “Mikhail Gromov” discovered a giant iceberg. The ship came into collision while attempting to take cover from the weather and is forced to drift with ice along the Amundsen Sea coast. The crew of “Gromov” spent 133 days of polar night trying to find a way out of their icy trap. They have no room for mistakes; one wrong move and the vessel is crushed by ice.
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
Olya, a straight-A middle school student, is experiencing her parents' break-up and her first love at the same time, all while struggling to maintain the image of a perfect child. One day she stays at her mom's house for a sleepover; the next day, she goes to her dad's. Neither parent is happy about the arrangement, nor is Olya. This is a coming-of-age story set in a small, bleak Russian town.
The film tells about the misadventures of an ordinary person who happened to have a suitcase with a lot of money... It turns out that it is not at all easy to find a worthy use for such money, and in the final it turns out a simple truth — “happiness is not in money ...”
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