The film analyzes the importance of cinema in the context of hybrid warfare and highlights the role of filmmakers in shaping national consciousness, serving as a cultural foundation for the country, and supporting Ukraine on the international stage.
A documentary film about the rise of Ukrainian cinema both at the national level and on the international stage.
When Vlada Koza, a mature Ukrainian woman, intrusive and caring, becomes a grandmother for the first time, she drops everything and travels to Sicily from her home in the Carpathian mountains to join her daughter... without warning! But the girl does not appreciate her mother's suffocating attention, so she puts her at the door without much hesitation. Thus, Vlada finds herself alone and penniless in the Sicilian hinterland. An unexpected car accident makes her become the unlikely governess of Don Fredo, boss of the Laganàs: a dysfunctional mafia family struggling to survive in the modern world. The irrepressible intrusiveness of Vlada, who loves feeling useful, taking care of others, fixing things and giving advice, seems to bring a hint of palpable well-being within the walls of Villa Laganà... At least until the day she finds out who Don Fredo and his children really are!
A guy from Germany becomes a volunteer at the festival to make a female organizer fall in love with him but instead loses an elderly headliner of Atlas Weekend. Guys from Kryvyi Rig organize a legendary stag party but quarrel like children and fight like adults. A young girl from Odessa looks for her rocker dad who she hasn’t seen and instead constructed an ideal image of for 10 years. A career-climber from Lviv arrives for the most important interview in her life but her younger brother disrupts absolutely all of her plans. This is going to be the craziest trip of our characters and their Best Weekend!
The story about the choice that has to be made between loved ones and morality when there is no other option for development. The two main characters of the film are forced to make this choice in their respective relationships: Sasha with her own husband and Anya with her son. The drama of the situation is exacerbated when they are involved in crime.
Lisa loses her business and lover. Instead of Poland, where she went to earn money, the girl finds herself without money and things in the New Year's ski resort of Bukovel. Surprises, curiosities and New Year's miracles happen to her here. The main character will find here both love and friendship.
The plot revolves around the controversial relationship between maid Stefania Chornenko and blueblood Adelia Anger against the backdrop of the provincial Austro-Hungary in 1900. Both Stefania’s parents and Adelia’s mother died during the fire. Adelia’s father adopted neighbors’ orphan. Girls grew up together to become as close as sisters, though Stefania served as the maid. This attachment develops into love-trap: on one hand full of mutual manipulation and jealousy, but equally based on сare and devotion. The illusion of balance is broken when Adelia marries sculptor Petro. Everything gets even more complicated when Joseph, the old love interest of Stefa, returns to town as the priest and married man. Illusions are destined to evaporate and reality comes into focus.
Twenty-five-year-old Vadym earns a living recording and selling all kinds of different sounds; nevertheless, he’d rather exchange his life in Kyiv for a better future in far-flung Canada. Thus, when he gets a generous job offer which might help him realise his dream, he jumps at the chance; he soon sets off to record the sounds of animals indigenous to Ukraine and also a rare bird native to the Carpathians. The situation proves somewhat more complicated when Vadym’s companion on the trip turns out to be his mother… To the sounds of a synthesized music score, debuting Ukrainian director Antonio Lukich unfolds a visually creative road movie, in which he demonstrates a highly unusual talent for constructing tragicomic situations.
The Secret Diary of Simon Petliura takes an unprecedented look at the short-lived Ukrainian People's Republic, which declared an independent Ukraine in 1918, and the later assassination of the UNR's chairman, Symon Petliura in Paris in 1926, orchestrated by the Kremlin at the start of the Soviet occupation of Ukraine.
Irma Hryhorivna Vitovska-Vantsa (real name Iryna Hryhorivna; born December 30, 1974, Ivano-Frankivsk) is a Ukrainian stage and film actress, producer, and public figure. Works at the Molodyy Theater (since 1998). Honored Artist of Ukraine (2016).
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