Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.
In the middle of a hot summer, a homeless woman is murdered in the centre of Ljubljana. At least as much as her death is troubled by the fact that the murder took place in a park right next to the General Police Administration. In addition to Taras's and Tina's relationship, resentment is being drawn from the events at Lake Bohinj over Taras' treatment of the spoiled son of an influential man, so the head of Drvarič assigns the management of the case to Tini instead of Taras. The start of the investigation is not the most promising, as none of the occupants of the park detected anything unusual, even though the windows look out of all the apartments. Yet a criminal investigation reveals that one of them wasn't the most honest.
In the city of Versopolis, people stop uttering the words that crawl out of their mouth, liberating instead the words lodged somewhere deep in their subconscious minds. The words that really mean something.
This feature-length documentary about Professor Jože Dolmark shows the protagonist as a man of many insights, interests and talents; as an art historian, an authority on literature and the history of cinema and photography, a film critic, cineaste, screenwriter, actor, and above all an extraordinary teacher and professor, and in a new light: intimately, through anecdotes and his world view, as befits a man of his greatness. Jože Dolmark is a brilliant intellectual, an eloquent speaker, and an astute observer of Slovenian culture, cinema, and life at large.
Black soldiers are captured by red soldiers and shot dead. Then, red soldiers capture black and shoot them. And so on to the bare end.
Paolo, 40 years old, lives in a small Friulian town close to the north-eastern border. Unreliable and with a passion for good wine, he spends his days at the local tavern and stubbornly stalks his ex-wife.
Film about Damir Avdic, artist of words who speaks about the world as he sees and understands it. With no superfluous comments. Words as sharp as a razor blade, as straight as a bullet, as honest as a heart. On the stage he is alone, with his guitar and his voice.
This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.
Hannah and Sam are young, have a house, a lovely daughter, Anja, and well paid work. However, their comfortable family routine is thrown into emotional turmoil. When Hannah realizes Sam has an affair with a young female colleague, she packs her suitcase and returns to her mother. She reunites with her ex-flame Leo, from her student years hoping it will help her to move on, but discovers that Leo is a philanderer. Hannah makes a hard choice.
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