In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
From Wikipedia, the free encyclopedia Josette Day (July 31, 1914 - June 27, 1978) was a French film actress. Born in Paris, she began her career as an actress in 1919 at the age of five. Day was married in 1941 to famous French studio head Marcel Pagnol, who she met in January 1939. In 1946, she played her best-known role, alongside Jean Marais, as Belle in director Jean Cocteau's famous take on the classic French fairytale Beauty and the Beast. Despite playing numerous parts in famous French films, Day ended her career as an actress in 1950 when she was only 36 years old. Description above from the Wikipedia article Josette Day, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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