The accident during an air show in Ramstein in the summer of 1988 is one of the greatest tragedies in German post-war history. Against the backdrop of the momentous collision of two aerobatic planes on "Open Day" at the American air base, this film tells the story of four families in fictionalized form - they are visitors to the air show who lost their loved ones in the horrific inferno, and an emergency doctor who cannot forget the sight of the dead and injured. They all suffer from post-traumatic stress syndrome. Years after the disaster, they finally have the opportunity to share their experiences and come to terms with the trauma in a specially founded aftercare group. Meanwhile, a duo of investigators commissioned by the German Federal Ministry investigates the background to the air accident and uncovers massive failures in safety precautions and rescue measures. Beyond political responsibility on both the German and American sides, both come up against a wall of silence.
Taking his kids to school with the car, Berlin real estate developer Karl gets a call from a blackmailer: If he doesn’t pay up, the car will blow up. A deadly race against time begins.
During their investigation into a toxic waste scandal, Yousseff and Anne Marie Fuchs' client are found dead, and the two detectives find themselves in a life-threatening situation.
Fun-loving Miri is a genius with numbers. She puts this talent to good use in her job at the town bank in the small village of Hattenstein, where she actively helps her often overburdened boss. When a local winegrower is found dead in a wooded area, she also develops a penchant for detective work. The policeman Nils, one of her old schoolmates, believes it was a sudden heart attack. But Miri's extraordinary powers of deduction tell her that there is something fishy about the case. With the moral support of her ownerless dachshund, Frauchen, she uncovers a large-scale crime in which even the mayor of the town seems to be involved.
Completely burnt out, without a job or prospects, but with her son Theo in tow, Olga has to bury her high-flying big city and career dreams and seek shelter with her parents back in her home village in her early 30s. While mother Lilo is happy to have the two of them with her, Holger continues to punish daughter and grandson with stoic disregard. Holger cannot forgive Olga for refusing to take over her parents' farm, breaking off her engagement to the young farmer Nico head over heels and simply moving to the big city.
Gundula Glöckner is very worried about the salvation of her daughter Lena. Again and again, the young woman gets to the wrong men. To help her child's happiness, the resolute widow shortly sets out on a pilgrimage: in Padua she wants to pray for Lena at the tomb of St. Anthony. However, the illustrious Pilgrims on their way to Italy are struggling with a whole series of mishaps and complications. Especially the brash bus driver Benno brings the God-fearing Gundula again and again to the white heat - until she realizes that hides behind its rough shell a vulnerable core.
An unlikely band of misfits has made their home on a roof between a feed mill and the municipal waste treatment plant. But life is good, away from society and living of this leftovers. Lisbeth, Herbert and Walther have created their own self-sufficient little paradise. While Herbert is hunting cats, Lisbeth tends to the self-grown vegetables and Walther angles for usable scrap from the dump down below. One morning though, the peace is disrupted: A nameless, suit wearing stranger has appeared overnight and set up his tent among their huts. He does not speak, but obviously he intents to stay. The rooftop dwellers are anxious. Will he destroy their perfect little society? Or can he be part of it… incorporated so to speak... ?
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