Edited from never-before-seen footage, this short film unveils rare scenes of Tony Leung and Maggie Cheung in roles vastly different from their iconic lovers. The first Asian film NFT offered at international auction houses, this unique artwork celebrates the first day of production for the acclaimed 2000 film, offering a glimpse into the creative process behind the masterpiece. As Wong Kar Wai cites, "Every thought consists of ninety flashes, and within each flash lives nine hundred sparks and extinguishments." This NFT eternalizes that first spark, marking a historic moment in Asian cinema.
Tracing the beginnings of Jet Tone Films, which was founded in 1991 by Wong Kar Wai for the production of Ashes of Time (1994), the film features never-before-seen materials, including deleted scenes, behind-the-scene footage, and selected narration by Wong Kar Wai.
Playtime’s cosmopolitan spectacle, presented in a kaleidoscopic montage across seven large screens, interconnects the lives of its archetypical characters—hedge fund managers and art world players in London; a photographer in Reykjavik; and a Filipina houseworker in Dubai—each of whom is based on a real-life individual directly affected by the market collapse.
TEN THOUSAND WAVES is a 9-screen installation shot on location in China. The work poetically weaves together stories linking China’s ancient past and present. Through an architectural installation, the work explores the movement of people across countries and continents and meditates on unfinished journeys. Conceived and made over four years, TEN THOUSAND WAVES sees Julien collaborating with some of China’s leading artistic voices, including the legendary siren of Chinese cinema Maggie Cheung; rising star of Chinese film Zhao Tao; poet Wang Ping; master calligrapher Gong Fagen; artist Yang Fudong; acclaimed cinematographer Zhao Xiaoshi; and a 100-strong Chinese cast and crew. The film’s original musical score is by fellow East Londoner Jah Wobble and The Chinese Dub Orchestra and contemporary classical composer Maria de Alvear.
A mischievous snake who assumes human form interferes with the romance between her reptilian sister and a hapless man.
The city has been devastated by a nuclear attack. An evil deformed villain controls the city's scarce water supply, exerting influence over a popular leader and a militarist colonel.
Maggie Cheung Man-Yuk (born 20 September 1964) is a former Hong Kong actress. Raised in England and Hong Kong, she has over 70 films to her credit since starting her career in 1983. Some of her most commercially successful work was in the action genre, but Cheung once said in an interview that of all the work she has done, the films that really meant something to her are Song of the Exile, Center Stage, Comrades: Almost a Love Story and In the Mood for Love. As Emily Wang in Clean, her last starring role to date, she became the first Asian actress to win a prize at the Cannes Film Festival. Cheung's native language is Cantonese, but she is multilingual, having learned to speak English, Mandarin and French.
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