Twenty years after her death, María Félix, a figure of Mexican cinema, is a model for free and independent women who are in control of their lives. Known as La Doña, she was a beautiful and strong woman. Admired and ahead of her time, she is our eternal diva.
The fascinating story of a man destined to be only a son of and who sought all his life to become "someone" by getting rid of the overwhelming image of his genius as a father, the painter Pierre-Auguste Renoir.
Based upon Vincenzoni's biography, "Pane e cinema", the documentary traces the story of the screen play writer who invented many stories that became blockbusters throughout the world.
Documentary about the presence of Latin American culture and actors in American movies.
Untouchable, inaccessible, ungraspable... Maria Felix is one of the great myths of Latin American cinema. Fatal passions, multiple marriages, sudden deaths and fabulous diamonds, these are the components of the legendary life of this artist. Through the excerpts of her films and the archive material we can understand her characters and how this life of splendor also led her to the high solitude of her mansions, temples of her cultures.
María de los Ángeles Félix Güereña (8 April 1914 – 8 April 2002) was a Mexican film actress. She is considered one of the most important female figures of the Golden Age of Mexican cinema. She was also considered one of the most beautiful film actresses of her time, and one of the greatest erotic myths of Spanish-language cinema. Along withPedro Armendáriz and Dolores del Río, she is one of the most important figures of Latin American cinema of the 1940s and 1950s. She is known by the nickname La Doña a name derived from her character in the film Doña Bárbara (1943). She is also known as María Bonita, thanks to the anthem composed exclusively for her, as a wedding gift by the composer Agustín Lara. She completed a film career that included 47 films made in Mexico, Spain, France, Italy and Argentina.
By browsing this website, you accept our cookies policy.