The Parakultural is a mark, a lost dream, a battlefield. Those who never attended the Parakultural, shelter of original artists, home of an orphan audience and a cursed monument of reconquered democracy, do not know what they missed. The film is the portrait of a generation that doesn’t forget.
Dina has not seen her three children for many years. They escaped their excessive control and live abroad. She can't get over her aerophobia to go visit them. She can't take it anymore without seeing them, and with his friends she sets up a mock of his funeral to force them to come and see her, but her plan will unleash madness. Who would think that this plan will work?
Leandro and Silvina, a young and successful middle-class couple, are experiencing the happiest time of their lives. But the sudden appearance of Leandro's daughter from another relationship, destabilizes the couple revealing hitherto unknown differences.
Batato Barea, the “clown/intellectual/transvestite” was a genius of the underground scene who was able to represent all the nuances of a changing country with his own poetic radicalism, in such a unique way that it made him irreplaceable. That paradox is the basis for this documentary by Peter Pank and Goyo Anchou, two authors in search of a character and his legacy, but also his irreplaceable presence and instantaneous, evanescent theatricality, which challenged every mandate and convention.
After the accidental death of his mother, Andres has to move in with his grandmother, Olga, and his estranged father Raul. Andres, who doesn't like to take a nap, wanders curiously through the neighborhood, where an illegal detention center is hidden, something everyone knows, but no one dare mention. Courage and fears will be tested with lasting consequences for all.
A young man and a girl meet due to a confusion in the deliveries of a house that provides meals at home.
The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.
A group of musicians, prostitutes, gamblers, and laborers, react to the arrival of a tango pianist at a saloon.
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