Set in a small English town in 1959, a woman decides, against polite but ruthless local opposition, to open a bookshop, a decision which becomes a political minefield.
With a name like Chlamydia Love, it comes as no surprise that the young lady in question is considered to be the office slut. Her colleagues also do not miss an occasion to ridicule her when she talks about her imaginary prince on a white horse. Chlamydia couldn’t care less. She just has to jump into a flushing toilet bowl to meet her beloved, the handsome surgeon Algernon Hertz. But her precious prince keeps her waiting and locals turn out to be a whole lot more savage that what is mentioned in the glossy tourist brochures. Chlamydia has to go on the run and ends up in the lair of the misanthropic scientist Helmut Mandragorass, a specimen of the male race not exactly blessed with dashing looks as his protruding forehead dwarves everything else. Paradise isn’t always what it seems to be.
Back in London from abroad, Bill English has it all - smart flat with a river view, flash car and, of course, the beautiful Anna. But he was born and brought up in these parts and everything's changed. Anna asks: 'Where are the ghosts Bill?'
A Wanted Man is a groundbreaking three‐part British miniseries first shown on BBC2 in September 1989. Directed by Nicholas Renton and written by Malcolm McKay, it evolved from his earlier one‐off play “The Interrogation of John” into a daring trilogy. The series follows the capture, trial, and psychological unravelling of a serial killer, offering an in‐depth exploration of criminal behavior and the ethical dilemmas faced by the justice system. With deliberate pacing, stark realism, and an unflinching look at human darkness, it challenges conventional crime dramas and compels viewers to confront unsettling questions about responsibility, morality, and the nature of evil. Critically acclaimed and award‐winning, A Wanted Man remains essential viewing for anyone seeking a thought‐provoking, intense, and unforgettable drama experience that not only entertains but also forces a deep reflection on the fragility of human nature and the complexities of justice.
Gutrune's romance with newspaper editor Nick Verney is hampered by the fact that he is still in love with the wife from whom he is separated. She finds that in affairs of the heart, advice is the last thing she needs.
Three generations of women who seek to murder their husbands share a solidarity for one another which brings about three copy-cat drownings.
A suspect is brought to a London police station charged with gross indecency. Police at the station believe he is connected with a murder in the area earlier that night, but the suspect refuses to speak.
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