Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.
The full attention of everyone - just for a moment in time. Maya is sixteen and tries to find online-fame and understanding through a selfie-live-vlog of suicide notes. She streams constantly to a forum of like-minded users. Her many last words are sometimes narcissistic, sometimes poetic and sometimes very honest. She suffers from depression. When Maya travels to Prague with her parents - a trip, that is supposed to somehow cheer her up - she plans for her suicidal fantasies to become reality.
There is nothing that keeps passionate social worker Wolski in Germany. On an uninhabited island in the Kingdom of Tonga he wants to give criminal teenagers a second chance. His first candidate is Marcel, 16, and no stranger to drugs, violence and crime. So a visit to the main island ends in disaster. Wolski only narrowly manages to keep the boy from being send to prison. The deal: From now on, Marcel is not allowed to leave the remote island at all.
Mifti is a teenager as beautiful as she is reckless. Mentally unstable, fed up with her dysfunctional family, oblivious to the youthful world, and aware of the sexual magnetism she gives off with her peculiar appearance, she wanders through the dark path of several bohemian adults with questionable lifestyles.
Helena, 29, a single mother with an 11-year-old daughter, is a moderately successful actress who earns a living as an escort in the sex industry. Her relationship with her own mother, a singing teacher, is tense, and she’s also increasingly annoyed with her job. Meeting David offers her an opportunity.
Charlotte is a moderately successful film director who wants to make a political film, and really dive deep into the lives of socially disadvantaged women. There she makes the search for a single parent Hartz IV recipient and meets Gloria S. Gloria is her dream cast, but she doesn't know that Gloria is a real actress. Everything goes smoothly until the whole hoax blows up ...
Berlin. Greta, 40, architect, mother of a 12-year-old son, recently unemployed. She does everything in her power to keep hanging on in there, torn between the pressure to conform and the spirit of contradiction.
In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.
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