This documentary explores the enduring popularity of one of Britain's best loved crime dramas, Midsomer Murders, as it celebrates its 25th anniversary.
Clare, a woman struggling with her dance career, accepts her Aunt Bridget’s invitation to come to England for the holidays. When Clare arrives, she meets Liam, a handsome historian who is determined to prove Aunt Bridget’s manor is a historical landmark. Realizing Clare can help Liam prove the manor’s historical value, Aunt Bridget proposes they work together to bring back the Christmas Ball from years ago. In the planning process, Clare and Liam begin to fall in love and realize their true passion in life is to be together.
Marcella is shocked to the core of her being when her husband Jason leaves her unexpectedly, confessing he no longer loves her. Heartbroken, Marcella returns to the Met’s Murder Squad. Ten years ago Marcella gave up her fast-tracked police career to marry and devote her life to her family. With the abrupt end to her marriage and isolated from her 13 year old daughter and 10 year old son, Marcella throws herself into work to stop herself from falling apart.
December is the busiest time of year for London’s hospitals. For one particular team it’s business as usual, even with the seasonal upsurge. Brian, the urology consultant, is audaciously trying to convince his superior, Mr Leffe, to swap irksome patients. Newcomer Emily has already discharged 5 people and it’s not even 10am. Her boyfriend James, a dishy doctor, is as usual engaged in charming his superiors – not to mention the eye-catching Rebecca. Feisty senior house officer Mark is wrestling with his bossy mentor Vashti to allow him to be more hands-on. And throughout it all, John, the cardiology registrar, simply can’t find a minute in the day to enjoy his roast turkey sandwich…
The peacefulness of the Midsomer community is shattered by violent crimes, suspects are placed under suspicion, and it is up to a veteran DCI and his young sergeant to calmly and diligently eliminate the innocent and ruthlessly pursue the guilty.
Nick Hendrix was born and raised near Windsor in Berkshire. After studying drama at Exeter University he spent a further 3 years at RADA. He has worked extensively in London theatre including the National Theatre and West End. His work includes Black Mirror, The White Queen, Call the Midwife, Marcella and Midsomer Murders on TV and Legend, Suffragette and Captain America on film.
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