A tragicomic story from a tragicomic time - this is how one could characterize Jiří Hubac's play, which premiered in May 1991. The drama of two friends who fought in England as Czech airmen during the war and had to live through the well-known martyrdom after returning home is a story about the power of friendship, the courage to transcend oneself in the face of violence and the right to preserve human memory. The television film by director Jaroslav Dudek, who cast Jiří Bartoska and Josef Dvořák in the lead roles, was honoured with the prestigious Prix Europe international award in Reykjavik.
In May 1945, a broken violinist lies drunk by a creek, haunted by memories of his life before and during WWII. Once the celebrated first violin in spa orchestras, he married Jewish nurse Róza and dreamed of fatherhood, only to face brutal anti-Jewish persecution. Relegated to second violin, he spirals into alcoholism and betrayal, while Róza and their daughter are deported. Cast out by colleagues and lovers, he descends into madness, murdering a vagrant with his violin case. In a final psychotic haze, he tends a roadside Christ statue before collapsing, his shattered life a testament to love, loss, and atrocity.
The common theme of the short story film is the famous duels between two important historical figures: Pushkin and Casanova. Pushkin's tragic duel, which ended his life prematurely, is portrayed in connection with the creation of his short story "The Dirty Shot", while Casanova's story is conceived in a rather ironic and humorous way. The point is that the famous seducer never actually seduced, on the contrary, all his life he was in a constant battle with female seductions.
A gloomy tale about a king whose pride robbed him of love, friends and power. A cruel curse is at the beginning of the story of this fairy tale based on an old Irish legend. Until the king's newly born son raises his sword against his father, there will be no spring in the Hawk Kingdom. Although the king orders the counselor Ordon to kill the child, the nurse saves him and entrusts the child to the care of a bird. He names him Christopher and raises him together with his son Janko. Twenty years later, the king succumbs to Ordon's urging to war with the neighbouring King Ubald. It is in this war that the curse is fulfilled and the tragic fate of the new king, who cannot listen to the right mouth, begins to unfold.
The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.
Otakar Vávra dedicated his latest film to events accompanying the devastation of the first World War. It takes place in representative centers of power, in the courts of Vienna, Berlin and Moscow. In parallel, it develops the fate of the Czech archivist, who will take part in the Serbian anti-Austrian branch.
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