With the help of more than 10,000 dedicated Zappa fans, this is the long-awaited definitive documentary project of Alex Winter documenting the life and career of enigmatic groundbreaking rock star Frank Zappa. Alex also utilizes in this picture thousands of hours of painstakingly digitized videos, photos, audio, writing, and everything in between from Zappa's private archives. These chronicles have never been brought to a public audience before, until now.
Utilizing potent TV interviews and many forgotten performances from his 30-year career, we are immersed into Frank Zappa’s world while experiencing two distinct facets of his complex character. At once Zappa was both a charismatic composer who reveled in the joy of performing and, in the next moment, a fiercely intelligent and brutally honest interviewee whose convictions only got stronger as his career ascended.
A unique film portrait of the famous Italian pianist. Maurizio Pollini felt himself that the time had come to submit to the probing of the camera, an exercise made all the more necessary because of his usual avoidance of the public eye.
In celebration of the 150th anniversary of Mahler’s birth and just one month short of his own 85th birthday, composer-conductor Pierre Boulez marked his forty-five-year collaboration with the Cleveland Orchestra by directing this very special Mahler-only concert at Ohio’s splendid Severance Hall. Following the Adagio from the unfinished Tenth Symphony, he presented Twelve Songs from Des Knaben Wunderhorn with soloists Magdalena Kožená and Christian Gerhaher, both much-sought-after opera and concert singers on the world’s leading stages.
Knots and Fields examines the aesthetic debates and tensions that have animated the Darmstadt courses over six decades, exploring their relevance today in an increasingly globalised environment.
An all Bartók programme featuring one of the leading violinists - Gidon Kremer - and one of the world's leading viola players - Yuri Bashmet. The Berlin Philharmonic, conducted by Pierre Boulez, conclude this concert with the The Miraculous Mandarin, a work composed in 1918-1919. By the time it was premiered, the score caused a scandal due to the eroticism of its argument.
In the centenary year since the founding of the Ballets Russe, this documentary looks back at Sergei Diaghilev and the company he created, what they did and the influence they had, even a 100 years later.
Eclat is a fascinating documentary about the work. We witness rehearsals by the Netherlands' Nieuw Ensemble, hear comments about the piece from the composer, conductor Ed Spanjaard and some of the musicians, and we see a full performance of the work. Eclat ("To burst out") is a beautiful example of the strangely lyrical pointillist style that Boulez had inherited from Anton von Webern. Aural pinwheels and shifting musical kaleidoscopes with stunning instrumental color is the only way to verbally describe what must be heard to be understood. This is definitely not for those who hate "modern" music. For those who respond to contemporary music, this piece is masterful and this film is a must-see!
For the past ten years Zappa in composing has turned away from Rock and Roll music - for which he first became famous - and has been working on new, contemporary, orchestral electronic music; in solitude and beyond any commercial conventions or commitments. It is the first time that Zappa has allowed a film crew to study him during compositional work, actually filming the first moments of a new compositional process. By contrast, in a staged interview Zappa gives comments on music. This film seeks to reveal the sensetivities of Zappa's personality and character also beyond narrative content.
Pierre Louis Joseph Boulez (26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war contemporary classical music. Born in Montbrison, in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism in the 1950s, controlled chance music in the 1960s and the electronic transformation of instrumental music in real time from the 1970s onwards. His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces considered landmarks of twentieth-century music, such as Le Marteau sans maître, Pli selon pli and Répons. His uncompromising commitment to modernism and the trenchant, polemical tone in which he expressed his views on music led some to criticise him as a dogmatist. Boulez was also one of the most prominent conductors of his generation. In a career lasting more than sixty years, he was music director of the New York Philharmonic, chief conductor of the BBC Symphony Orchestra and principal guest conductor of the Chicago Symphony Orchestra and the Cleveland Orchestra. He made frequent appearances with many other orchestras, including the Vienna Philharmonic and the Berlin Philharmonic. He was known for his performances of the music of the first half of the twentieth century—including Debussy and Ravel, Stravinsky and Bartók, and the Second Viennese School—as well as that of his contemporaries, such as Ligeti, Berio and Carter. His work in the opera house included the production of Wagner's Ring cycle for the centenary of the Bayreuth Festival, and the world premiere of the three-act version of Berg's opera Lulu. His recorded legacy is extensive. He also founded several musical institutions. In Paris he set up the Domaine musical in the 1950s to promote new music; in the 1970s he established the Institut de Recherche et Coordination Acoustique / Musique (IRCAM), to foster research and innovation in music, and the Ensemble intercontemporain, a chamber orchestra specialising in contemporary music. Later he co-founded the Cité de la musique, a concert hall, museum and library dedicated to music in the Parc de la Villette in Paris and, in Switzerland, the Lucerne Festival Academy, an international orchestra of young musicians, with which he gave first performances of many new works. ... Source: Article "Pierre Boulez" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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