Percy Schmeiser, a third-generation farmer, gets sued by a corporate giant for allegedly using their patented seeds. With little resources to fight a legal battle, Percy joins forces with up-and-coming attorney Jackson Weaver and environmental activist Rebecca Salcau for a monumental case that leads all the way to the Supreme Court.
Inspired by true events, this is the story of Gwendolyn Green, an aging widow who spends her days in solitude inside a fenced-in Palm Springs residence, as if trapped in another era. When her lack of social skills and isolation begin to suffocate her, she picks up the phone and calls 911 in search of human connection. Gwendolyn forms a special bond with the officer who answers, and finds in him the care and connection to the modern world that she craves.
Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.
Back in the kitchen of the Gabriel family, the country is now in the midst of the general election for President. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art, and culture are chopped up and mixed together, while a meal is made around the kitchen table.
Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.
Healy James and Fisher Hart share a deep secret, but they don't know what it is. While Healy is tormented by compulsions he doesn't understand, Fisher studies the science of love, and avoids Healy, who triggers feelings she can't explain. When Healy suspects the answers to their mystery are buried on a suspected killer's property, his curiosity turns reckless, and Fisher must choose between a life in hiding and a frightening truth.
Eve has married the man of her dreams but when they return to live in the house willed to him by his first wife who died under horrific circumstances, it becomes a waking nightmare as Eve falls into a spiral of suspicion and madness.
The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.
On her deathbed, Doris Duke, the world's wealthiest woman, recalls her lavish, tumultuous years as a young socialite.
Dramatic documentary about the birth of the American Republic and the struggle of a loosely connected group of states to become a nation.
From Wikipedia, the free encyclopedia Roberta Maxwell (born 1942) is a Canadian actress. She began studying for the stage at the age of 12. She joined John Clark for 2 years as the child co-host of his Junior Magazine series for CBC Television, before becoming the youngest actress apprentice at the Stratford Shakespeare Festival in Stratford, Ontario, ready to pursue an acting career, where she appeared as Ursula in Much Ado About Nothing, Lady Anne in Richard III, Olivia in Twelfth Night, and Anne in The Merry Wives of Windsor, before going on to England, where she spent three years in repertory. She made her West End debut with Robert Morley and Molly Picon in A Majority of One. She debuted on Broadway in The Prime of Miss Jean Brodie in 1968, going on to five more plays with the Tyrone Guthrie Theatre in Minneapolis. In 1974 she was back on Broadway playing the role of Jill in Equus, which starred Anthony Hopkins. In 1982, she starred as Rosalind in the Stratford Festival's stage production of Shakespeare's As You Like It, a production which was videotaped and telecast on Canadian television in 1983. Those, and many more plays, took her on to a successful television and film career. In 2009 and 2010 she appeared in two episodes of the Syfy series Warehouse 13. Description above from the Wikipedia article Roberta Maxwell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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