The era when Samurai and Ninja existed in Japan. Rikka Isurugi was born and raised in a Ninja clan secluded from society. She soon meets Miya, a girl with a mysterious power, who is found lost in the mountains. As Rikka is concerned that someone is pursuing Miya, she also asks the head the of Isurugi Ninja Clan for permission to avenger her father's death. Soon Rikka faces danger with the attack of the Negoro group but…
GOZEN is a jidageki (period piece) dramas. The word “gozen” refers to a feudal game held in the presence of a Daimyo, described as a match “one must not lose”.
Set in Kyoto in the last days of the Edo Period, the bloody conflict continues between local feudal domains, which aim to overthrow the Tokugawa Shogunate, and the Shogun's police and city patrol. Tajuro Kiyokawa, once the master of the sword but now a depraved samurai who left his domain putting aside his past ambition, barely makes ends meet. Toyo, a woman who runs a tavern next door, feels affection for Tajuro who guards her place against nasty customers, but he never realizes Toyo's feelings.
This is a “Movie in a Movie” like no other ever before. Kyoei, a historical film studio in Kyoto (Modeled on Toei), is asked by NHK to make a new samurai era program using the most advanced technology. While the elderly filmmakers at Kyoei are struggling with the high-tech equipment, their skills at creating choreographed sword battles are undiminished. The NHK project will dramatize the Ikedaya incident, which was a raid launched by the Shinsengumi against Imperial loyalists gathered at an inn called Ikedaya in Kyoto during the twilight years of the Tokugawa shogunate. A series of problems occur and the climax they reach after overcoming difficulties is an unprecedented attempt at a 360° one-cut scene involving the world’s most advanced high-speed camera and wire action for a scene where Kondo Isami will fall down the stairs at Ikedaya. Can they succeed in filming the single greatest swordfight scene in samurai movie history?!?
Living away from his family, a physical therapist sees his father entering the hospital he works at and watches him getting weaker, as his other patients’ conditions worsen.
Manji, a highly skilled samurai, becomes cursed with immortality after a legendary battle. Haunted by the brutal murder of his sister, Manji knows that only fighting evil will regain his soul. He promises to help a young girl named Rin avenge her parents, who were killed by a group of master swordsmen led by ruthless warrior Anotsu. The mission will change Manji in ways he could never imagine.
Veteran director Nakajima Sadao examines the appeal, background, context and transition of chambara, or period sword-fighting and samurai films, in Kyoto. Not only interviews with actors, choreographers and critiques are included, but the director orchestrates an original chambara scene for the documentary.
The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960's Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.
Fewer samurai films are being made, and the Uzumasa studio has fallen on hard times. One day, veteran "kirareyaku" (whose job it is to be felled with a sword by a film's star) actor Kamiyama is tasked with teaching sword action techniques to fledgling actress Satsuki. A few years later, the now-retired Kamiyama is visited by Satsuki, who has become a popular star.
Seizo Fukumoto was a Japanese actor, specialized in samurai movies. He often played the role of 'kirareyaku', the person who loses the sword fight and dies spectacularly: he is said to have acted out 50,000 on-screen deaths.
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