When childhood friends Yui and Naoki are by chance reunited as adults, they begin to feel they were destined for each other. However, just as Naoki prepares to propose to Yui, he becomes embroiled in a mysterious incident and dies. Now Naoki's soul wanders the world unable to express his true feelings for Yui. Yuzuru, a detective and the only person who can see Naoki, goes in pursuit of the truth behind Naoki’s death. At Naoki tries to use Yuzuru to talk to Yui, but will he be able to convey his message of love?
The seven secretaries who consist of the "Shadow Army" enjoy peaceful days. They receive a new request from Koichi Ogata, who runs a ramen restaurant in Nagano prefecture. He is furious at land development that is carried out by Alps Raicho Group. The Alps Raicho Group and their Alps Raicho Resort are run by the Tsukumo family. That family exerts tremendous influence around the region. The Tsukumo family seem like a well mannered family, but, in reality, they are a vicious family who will do anything for their own interests.
Kim Jun Hee, a member of the immensely popular five-membered band, Indigo AREA, has suffered setbacks and deep wounds, and now her boyfriend, the vocalist, suddenly announces that he is leaving the band. The story depicts the process of Jun Hee escaping from her narrow world of values, regaining her music, and becoming a strong "human being," while also finding the connections that are essential to survive. A new slice-of-life story of healing and courage.
Kinuko was married to her husband for many years, but her husband passed away. Since then, Kinuko has lived in the same home with her granddaughter Nagisa.
7 ladies working as secretary for the dignitaries, who are the top of bank, Metropolitan Government and National Police Agency, are trying to help the weak in the society by moving the dignitaries stealthily. They have a lot of confidential information and network, so they work in the shadow to help people who are suffering from unfair treatment. Concept of this drama: Leaderless time, Swelling unemployment, there is no promising future, so we have to move our leaders as much as we can do.
On a gloomy Monday morning, my week begins. Although I (Bakarhythm) am sleepy, I put on my make-up and I leave home for work at a bank. I take the subway filled with passengers and get off on the nearest subway station from work. I meet Maki Fujikawa (Kaho) at that subway station. She is my closest colleague at work. While talking with each other, we get to our workplace.
When Jeongin Bank faces bankruptcy, the Financial Services Commission aims to preempt Korea from another economic meltdown as it did in the 1997 financial crisis. With the Korean government having a substantial stake in the bank, things get serious. Chae Yi Hun is the chief of financial policy at the FSC. He hides the fact that renowned economist Chae Byung Hak is his father. Heo Jae is the chairman of the FSC and has ambitious intentions of fortifying the country's financial infrastructure. Lee Hye Joon is a girl who came from nothing. She works at the Ministry of Economy and Finance and wants to see the utopian economy with change. The money game begins now.
It is the job of the press to cover corporate crime, government plots and society. It is in this context that young female reporter on the beat Erika rolls up her sleeves and goes to work regarding what seems to be a government cover up. She is dealing with a government bureaucrat called Sugihara. It seems as if a clash is inevitable.
Trapped in her anemic career and love relationship, a 30-year-old TV commercial director returns to her countryside home in the company of a free-spirited friend. In a bittersweet reunion with an alienated family, her childhood memories of freedom and yearnings creep in the dreamlike blue hour, transcending into a lyricism of self-realization – at once whimsical, agonizing and yet hopeful.
Shim Eun-kyung (심은경) is a South Korean actress. Born on May 31, 1994, she has starred in a number of films and television dramas, notably the blockbusters Sunny (2011), Masquerade (2012), and Miss Granny (2014). She also starred in the Japanese film The Journalist (2019) which earned her the Japanese Academy Award for Best Actress, a first for any Korean.
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