France, 1974. The erotic film Emmanuelle, directed by Just Jaeckin, breaks all records for cinema attendance: the story of the creation of a sensual epic that marked a turning point in the struggle for sexual emancipation.
During the Fascist Regime in Italy, three Dutch sisters, Alexandra, Judith and Kitty, try to make a career as popular singers.
Peter and Martina are a tourist couple on a vacation on the Croatian coast. Both are successful and in their prime. However, the couple is going through a crisis. Both are frustrated and unsatisfied with their lives. They hope this vacation will help save their relationship. They both hope that this, long expected vacation will improve their relationship. They go on a mountain trip, and they get lost. Far from their usual comfort, confronted with the raw nature, they are left with no other option but to face one another...
Swedish Wildcats, Italian Lesbionic Nuns, Frisky Inmates in South American Prisons, Euro Lesbo Vampires and a vast assortment of Sapphic Sleaze. This is Sexploitation. Exploitation. Gridhouse. To be Polite or Academic we call it Erotic Cinema. Whatever your term of choice, this genre's glory days blasted through the 60's and 70's. None of these films were strictly lesbian, or even for lesbians but this historic montage will change that. Here are Erotic Cinema's heroines of the 60's and 70's, fighting, tempting, teasing and fucking each other. These ladies are depraved, filthy-dirty and insatiable. You will be too.
Thirty years ago Sylvia Kristel became world-famous with 'Emmanuelle'. This erotic film was the starting point of a curious career, during which Sylvia acted in more than 50 international film productions, including a short-lived career in Hollywood. A turbulent life followed, in which alcohol and drug addictions formed a recurring theme. Penniless, she now lives in a small two-room apartment in Amsterdam. Last year La Kristel took control of her life: her autobiography Nue was published in France and has already been sold to several countries.
This documentary follows the concept of the groundbreaking 1974 movie Emmanuelle, through to its release, its cultural impact, and the large amount of sequels and impersonations.
Documentary, based on a British poll, listing the 100 sexiest movie and TV moments. Supplemented by new interviews with performers, filmmakers, and authors/critics.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
Eva works as a decoy. Her job is to test husbands for their fidelity. Her good friend Corinna gives her a particularly well-paid assignment. She is to seduce Stefan, the husband of the very wealthy Christiane Reedmann, and lure him into a trap. A short time later, Christiane is killed and all the evidence points to Eva as the murderer. Now Eva herself is caught in the trap.
The ex-cop Robin kills an actor and steals his money and cocaine. And now he is supposed to find the killer together with an interpol inspector. To hide his guilt Robin goes on murdering leaving hints that lead to the actress Angel...
Sylvia Kristel was born in Utrecht, Netherlands on September 28, 1952 to father Jean-Nicholas and mother Piet. She is known as being Dutch model, singer and actress.
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