Edited together from materials taken from Caochangdi performances and activities between 2012-2013 and Wu Wenguang's own body camera record, this film can be regarded as a kind of "story follow-up" version of "Because of Hunger". In short, it is a kind of "remembrance".
Darkly humorous reinterpretation of the zombie film, set in Beijing. Here the undead are real estate agents, nouveau riche businessmen, security guards, manicurists, and sex workers seeking contact in an increasingly individualized, alienating society.
The one directorial feature by Ning Dai, sister of 5th generation filmmaker Ning Ying and wife of 6th generation filmmaker Zhang Yuan. It follows a chaotic period in November of 1993, when production suddenly halted on Zhang Yuan's TV film adaptation of a popular novel, Chicken Feathers, after the Chinese Film Bureau announced that Zhang could no longer direct the film due to submitting his previous independent feature, 1992's Beijing Bastards, to a film festival in Japan without receiving the proper authorization to do so. Ning's documentary features anguished meetings between the Chicken Feather's production crew as they debate replacing Zhang with another director, along with testimonials on the state of censorship in Chinese independent cinema of the early '90s from Wu Wenguang, Tang Danian, He Jianjun, Cui Jian, and others.
Wu was born in south-western China’s Yunnan province in 1956. After graduating from high school in 1974, Wu was send to the countryside, where he worked as farmer for four year. Between 1978 and 1982, he studied Chinese Literature in Yunnan University. After the University, Wu worked as a teach at a junior high school for three years, and later, he worked in the television as a journalist for four years. Wu left the television, moved to Beijing in 1988 to be an independent documentary filmmaker, freelance writer and creator and producer of dance/theater. Wu has completed documentaries: Bumming in Beijing (1990), 1966, My Time in the Red Guards (1993), Jiang Hu: Life on the Road (1999), Fuck Cinema (2005), Bare Your Staff (2010), Treating (2010), Because of Hunger (2013), Investigating My Father (2016), Autobiography: Pass Through (2017), Autobiography: Struggle (2018) Autobiography: Fear (2019), Riding Through (2020), and has screened in many film festivals in the world. Wu also has created some short video, which like Diary: Snow, 21 Nov, 1998 (1999), Public Space (2000), Search: Hamlet in China (2002). Wu had been created in theater, which like Treating (2009), Memory: Hunger (2010), Investigating My Father (2013) and Reading Hunger (2016), Reading Father (2019) Also Wu had some no-fiction books published (Bumming in Beijing, 1966, Revolution Scene, Report on Jianghu) In 2005, Wu found the Village Documentary Project, and in 2010, found the Folk Memory Project .
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