Merchant Samson Silych Bolshov borrowed a large sum of money. And, not wanting to return it, declared bankruptcy. He transferred all his property to the name of the clerk Lazar Podkhalyuzin, for whom - for his own peace of mind - he marries his daughter Lipochka. But Podkhalyuzin has a secret plan...
An almost unknown girl Frida accompanied Aleksandr Volodin to the front. When he returned, he married her. A sense of duty and gratitude bound them, but this did not prevent him from continuing to search for a female ideal... The name of the poet and playwright Aleksandr Volodin is familiar to everyone who loves russian cinema and theater. The films Elder Sister, Five Evenings, The Magician, Autumn Marathon, the famous performances of the Tovstonogov's BDT and Efremov's Sovremennik, staged according to his plays, were remembered for their unique intonation, the soft, not at all edifying voice of a person who knows something about life that we pass by without noticing. Most of Volodin's works are autobiographical, he writes about his generation, about the generation "scorched by war".
Former opera celebrities live in a nursing home. Four former idols whose lives were once filled with triumph live out their lives filled with memories. The Starkims are offered to perform a quartet from the opera Rigoletto at an upcoming concert. Before giving consent, each of them goes through painful memories of the past, confession of sins that no one knew about, discover the secrets of their lives and reflect on their sad present.
Melodrama based on the autobiographical screenplay by Svetlana Shafranskaya. A love story of a 12-year-old girl who goes on a tour with the theatre in which her father works. This love will bring her much trouble, disappointments and grief, but at the same time will awaken her soul, make her happier and wiser.
The film is based on the history of the Bulgakov play on the stage of the Moscow Art Theater
Vera Andreyevna and Grigory Petrovich are an elderly couple who have had a long and happy life together. One day in the market Vera Andreyevna runs into an untidy and half-drunk old man whom she recognizes with difficulty. It is Alyosha, who was in the same orphanage with her and who had been her first love. Reminiscences overwhelm them and stir their hearts. Alexei Ivanovich, who had lived a far from easy life, undergoes an amazing change. He begins to look younger and more orderly. Vera Andreyevna feels she is a woman again, a woman who has to make her choice.
Detective Sergei Chelishchev leaves the police to find the real murderer of his parents. Everything changes when he meets his long-lost friend, a war veteran who joined local mafia following the fall of the Soviet Union.
On the eve of the Victory Day celebrations, three old wartime friends reunite in Moscow. But they don’t get a chance to sit and recall their long-forgotten exploits. Chairman of the Veterans Foundation Kilovatov (O. Yefremov) is accused of dealings with the criminal world and put behind the bars. Former dissident Morgulis (V. Tikhonov), now residing abroad, and participant of protest rallies Dyakov (M. Ulyanov) organize the release of their friend from prison. Confronted with the cruelty of their enemies who masterminded the arrest of their wartime buddy, our heroes involve mafia and security service in the release operation, and then decide to hijack a plane.
Beginning with perestroika and reaching its peak after the demise of the Soviet Union, pessimistic youth sub-culture films abounded in Russia and the former republics. Anguely V Rayou is another example of these "youth without future" films. Based on the novel Two Notebooks by Piotr Kojevnikov, the action takes place in the Leningrad of 1975, when the "stagnation" era is at its peak. Two teenagers, Micha and Galia, are experiencing a slow death in the slums of the city. Galia's aunt is going crazy in her desperation. Micha's mother is killed by a drunk. One of their friends has committed suicide. These kids are typical of a generation wasted by alcohol and misfortune. Some are bound to become outcasts, some will be destroyed, and others will be sacrificed in Afghanistan. The title is ironic, as there is neither paradise nor angels in this story.
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