KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.
Francesca, tormented by her past, breaks the silence to talk about surviving the horrors of the comfort stations of Imperial Japan.
A Japanese-American director digs deep into the controversial 'comfort women' issue to settle the debate on whether the women were paid prostitutes or sex slaves, and reveals the motivations and intentions of the main actors pushing to revise history in Japan.
In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, "comfort women" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.
A true story of a six-year-long legal conflict of 10 comfort women and 13 attorneys against 200 Fukuoka supporters association.
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
The Silence narrates the struggle of fifteen "comfort women"—former sex slaves by the Imperial Japanese Army during WWII—for recognition and reparation. The "comfort women" issue has previously been treated almost exclusively within the framework of Korean nationalism. The Silence will provide insight into the ways in which nationalism and the emergence of post-war Asian nation-states have hindered the understanding of "comfort women" narratives through Zainichi Korean documentary filmmaker Soo-nam Park's point of view.
A grumpy old woman befriends a young civil servant and learns English from him. She then reveals to him her shocking past.
After the Japanese kidnap two Korean teenagers and take them to a comfort station to join other girls who are serving as sex slaves, only one of them survives. Decades later, the elderly woman tries to reunite with her friend's spirit.
"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.
Jong-bun, in her eighties, is one of the last surviving 'Comfort Women' victims forced into sexual slavery by the Japanese Army during World War II. Back in 1944, at the end of the Japanese occupation in Korea, Jong-bun was a poor but energetic girl while Young-ae was the smart rich clerk's daughter. One day, Jong-bun gets abducted and finds herself on a train for Manchuria. To her surprise, she also finds Young-ae on the train facing the same fate to become a comfort woman. Jong-bun and Young-ae help each other go through the living hell and as the war comes to an end, they finally escape from the comfort women camp, only to face two different paths of life. Decades later, Jong-bun helps out a teenaged girl who is disoriented in life, reminded of her own painful past.
This film tells the story of three young women from South Korea, Japan, and China who were ravaged after becoming comfort women in the Japanese army.
Korean sex worker Yonhee goes to Japan to build solidarity with her counterparts there. YAMASITA Youngae heads for Kyoto to give a lecture on how former prostitute-turned-comfort women were left out of the movement to achieve justice for comfort women. Korean professor PARK Yu-ha is sued by former comfort women because of her book Comfort Women of the Empire. Reportage writer KAWADA Fumiko Tells the story of BAE Bonki, a Korean who worked as a comfort woman in Okinawa. Shuttling between the issue of sex workers who refuse to be pictured as victims and the issue of comfort women who couldn’t even be acknowledged as victims, the film reveals stories that had disappeared from official memory.
During the Japanese control of Korea during WWII and before, they used Korea women as prostitutes for their Military Officers and Korean men as grunt soldiers to fight in the trenches during the war with the USA.
From the Japanese Occupation a 'comfort woman' returns from China an old woman. At the end of the war she can't return home and spends the next 65 years living as an alien in a foreign country. Even to her own granddaughter she seems to be losing her mind. She only wants to go back to Korea.
Senso Daughters focuses on the legacy of the Japanese occupation of Papua New Guinea during the Second World War. It is a legacy that arises from rape, starvation and terror. Sekiguchi's documentary lets the residents of Papua New Guinea, especially the women, tell the story of their three years under Japanese Army rule.
In the final hours of the Pacific War, Okinawa was the destination for Korean men conscripted as “military laborers” and Korean women taken as “comfort women.” Little is known about the number of casualties or their experiences. In 1989, Park Soonam started to track down the survivors of the Battle of Okinawa to record their testimonies. In 1990, Park visits Korea in search of former “military laborers” who had survived Okinawa and repatriated to Korea. The survivors vividly recount their experiences of their compatriots’ murder and about the “comfort women” to the Zainichi Korean female director. The film zeroes in on the murder of Korean “military laborers” and the presence of “comfort women” in Okinawa via testimonies of former Japanese soldiers.
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