This engaging series of childhood recollections tells of an unconventional school in Tokyo during World War II that combined learning with fun, freedom, and love. The school had old railroad cars for classrooms and was run by an extraordinary man – its founder and headmaster, Sōsaku Kobayashi – who deeply valued children's independence, and who was a firm believer in freedom of expression and activity.
For 13-year-old Kaitlyn, her world threatens to collapse when she learns that her parents want to get a divorce, especially because it threatens the loss of the house they shared in Portland, which had always been Kaitlyn's home. The teenage girl has dark thoughts and lost interest in life. The breeding pigeons given to her by her mother's police colleague don't make things any better. What should she do with the birds? Then her best friend Adam gives her an idea: they could steal the very valuable racing pigeon named Granger from the local breeder Jaan Vari, sell it and use the proceeds to pay off the mortgage on her family's home. The plan initially works, but then everything seems to go wrong and Kaitlyn loses her footing even more. But surprisingly, the old man who was robbed takes care of the girl and a bond develops between the two, which ultimately leads her to a new outlook on life.
An innocent child Yumi is suddenly introduced to the world of womanhood when she witnesses her older sister Chloe feel pain in her body.
A teenage girl dealing with the loss of her mother, navigating the five stages of grief, when suddenly her doppelganger appears. Throughout her journey of discovery, she not only confronts her own unresolved feelings but begins to understand the fragility of life. Through her encounters with the doppelganger — a reflection of her inner turmoil — she comes to terms with her mother's death and learns to accept her own mortality, finding peace in the inevitability of life's cycles.
When her barrettes mess up her pirouettes, an excitable, hyper-focused Black girl must power through the distractions -- and her mother's expectations -- to fly like the ballerinas do.
When Amalia breaks a friendship spell, her best friend Daniela disappears from her life and memories. Now, Amalia must redo it before it's too late.
RAPE PLAY is an experimental documentary that explores fanfiction writing amongst teenage girls online and the learned narrativization of sexual experiences. Through interviews, lyrical essays, and fantastical reenactment, it touches on internet history, sexual assault discourse, and the magical cultural production happening in the bedrooms of teenage girls worldwide every day.
Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.
Yvonne loses her mind and confuses her teenage granddaughter, Manon, with her deceased daughter. Manon plays the role of the mother she never knew, reviving her grandmother's years of feminist activism. In this troubled game, Manon will learn to become a woman.
While cleaning her childhood home, a girl comes across a mysterious box that strangely communicates with her, appearing to know her more than expected.
Vanessa is back in her hometown for the summer after moving away for college. Things get complicated when her friendship with Claire turns into a summer fling.
After years of traveling, Anyas parents have decided to return from Australia to their native France, and she has to attend a public school for the first time in her life. But normal everyday school life quickly causes problems for the girl. On the first day, she gets a shot with a soccer ball on the head. When no one wants to apologize for this, a violent argument immediately ensues. So she messed it up with the locals right from the start. Anya becomes an outsider, which doesn't even really bother her. But Zoé, Nils and Jade, who are also a bit different, take care of her. A new clique is formed. But the pretty outsider would prefer to be friends with Nathan, the school director's son. But he gives her the cold shoulder because it wouldn't be cool to be interested in girls in front of his buddies. Meanwhile, the girls hatch a plan to win their place in the schoolyard. A real fight ensues between the students. Now it's girls against boys. But how far can a dispute between children go?
Reyhan, raised in a religious family, arrives to spend her summer holidays at her grandmother Ummu's house in a conservative central Anatolian village, accompanied by her mother Hatice, and her 6 year old brother Mehmet. The 13 year old is gripped by a state of inner turmoil. She has just had her first period and dreads the consequences of being unable to perform the required religious rites. Reyhan's concerns mount after she finds out the water supply at her grandmother's village house is cut off. She is desperate to find a way to perform the required religious ablution rites, which she has always been told will protect her from attacks by djinns and facial disfiguration. She starts having nightmares. At the same time, Reyhan is also determined to help Şükran, her best friend in the village.
Nina and her two friends share trepidations and desires, amid adolescent games and self-discovery. As the girls engage in ever new challenges, Nina immerses herself in her own hesitations.
Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s SOPHIE JONES provides a stirring portrait of a sixteen-year-old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.
Timid 14-year old 'Baduday' develops a crush on the new guy in their neighborhood, but he only sees her as a child. With only her best friend’s lip tint and a whole lot of imagination at her disposal, Baduday journeys on a rocky road of self-exploration and learns the awkward truths of girlhood along the way.
When Petra spends an evening with her best friend Sanna, Sanna asks how she knew she was bi. Petra tries in earnest to show her the truth.
June 2010. 11 years old Julia and Raphaëlle are the best at killing time together. Between walking their blind neighbor’s dogs and finishing their music video before Raph returns to Romania, they unconsciously grow apart. This nostalgic semi-autobiographical story recounts the last moments of the inevitable and awkward summer between childhood and adolescence.
Two girls explore their relationship and what it means to be in the world and be vulnerable in this hand drawn graphite animation.
Four women from varying walks of life meet as journalism majors and develop a lasting friendship that guides them through the journey of growing up.
Narrations of 3 women about their experiences, their inner fight with being feminine and masculine, and their acceptance journeys.
Teenage best girlfriends decide to go on a dangerous joy ride with two older men and their lives are changed forever.
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