Indian migrant worker Najeeb Muhammad goes to Saudi Arabia to earn money. However, in a twist of fate, he finds himself living a slave-like existence, herding goats in the middle of the desert.
What drives people to start a new life thousands of kilometers from their homeland? Some follow their dreams, others came out of necessity. They have one thing in common: they all leave their homeland. What does that do to a person? Various immigrants tell their stories.
Explores the little-known history and humanity of the unsung Filipino nurses risking their lives on the front lines of a pandemic, thousands of miles from home.
The life of engineer and former NASA astronaut José M. Hernández, the first migrant farmworker to go to space.
This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.
In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe. However, they never get beyond the tomato fields. This documentary shows how the tomato broaches a broader issue. Will the pickers keep believing in their dream, or fight against a Europe where others reap the sweet rewards of their disillusion?
This is a story about youth with music. It all happens at the Dandelion School, Beijing’s first middle school specifically established for the children of migrant workers. Every year when new pupils arrive, Ms. Yuan Xiaoyan, who has worked in the school choir for eight years, would choose a group of music-loving first-years with solid musical foundations to join the choir. A new group of children join the choir while those who have advanced to the second year have to discuss with their families their future choices. For choir members, their music career in middle school will eventually stop due to the pressure of high school entrance examinations and the inevitable parting. But along this journey accompanied by music, they have been savoring the joys and sorrows of their youth, burying them deep in their hearts, and transforming them into growth-promoting nutrients.
This film follows the lives of undocumented Vietnamese workers in Taiwan doing odd jobs to survive, after having been forced to flee their employers due to harsh working conditions and lack of medical care. How will living this way for more than a decade shape their lives?
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
Folding towels, straightening out sheets, taking bathrobes out of the dryer, stripping beds, cleaning up vomit. Fluffing pillows—making a dent for elegantly turned-up corners—and endless scrubbing, cleaning and clearing up messes. Behind the scenes of a hotel in the Italian Dolomites, the staff do everything they can to serve the guests and prevent complaints. The hotel has four stars, and a fifth is in sight.
Follows the story of love, friendship and growth of six young men and women who move from countryside to the big city of Tokyo, each with their own dreams and aspirations. Among them is Sugihara Oto and Soda Ren. After her mother died, Oto was raised by adoptive parents in Hokkaido. Although she has given up on having any high hopes or big dreams for her future, she still remains positive and faces life with optimistic attitude. One day, she finds out the fact that her adoptive parents are planning to marry her to the wealthy man in town in order to solve their financial debt. Soda Ren was raised by his grandfather in Fukushima. Ren works hard on one job after another in order to earn the money to buy back his grandfather's land so that they can start farming again. By chance, Oto and Ren meet in Hokkaido and they decide to move to Tokyo to find new life to change their fate and future. However, as soon as they arrive Tokyo, they get separated in the crowds...
When mobile nurse Esma finds one of her patients dead, the strictly timed schedule of her day is thrown off balance. Between professional ethics and family obligations, she is faced with a difficult decision.
Six average Americans are confronted with the realities of illegal immigration while retracing the footsteps of dead border runners.
‘In Safe Hands’ follows the journey of two Ministry of Manpower (MOM) officers who worked closely together with other agencies and NGOs, to care for the wellbeing of resident migrant workers at the dormitories, allowing them to return to work safely.
Tragic circumstances bring together the wife and the mother of two migrant workers - one from the east, the other from west Nepal.
YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director
A Haitian migrant struggles to bring his son to Chile from their homeland. He works as a waiter in a restaurant where he must endure the petulance of his partner Hugo and the constant discrimination of his boss; he aspires to be a Chef, so he can guarantee his dream and reunite with his family once again.
Inside Qatar’s labor camps, African and Asian migrant workers building the facilities of the 2022 World Cup compete in a football tournament of their own.
A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.
A story which follows the borders that have silently grown between a man and a woman. Interior, emotional borders. The ones which separate us before any other.
This short documentary features poet N Rengarajan, a migrant worker from Pudukkottai, India who sustains a practice of poetry as a way of life while working in the construction sector in Singapore. The film, structured around three of his poems, seeks to visually mirror the rhythm and tone of his writing. Together, verse and visuals strive to draw attention to the poet's acute illuminations of the realities of migrant life.
The story takes place in Songjiang City, a small town in the northeast. A group of migrant workers from all over the country, with all kinds of dreams, gathered on the construction site of the Champs Elysees apartment. They know that after they have built up with sweat, they are the dream bed of the city's people tomorrow. Don't ask for anything else, as long as you don't owe wages, thank God. In the shacks of the shacks, hundreds of migrant workers of different ages and temperament are crowded together. They ask the foreman, Xie Laoda (Ma Shaozhen), and the wages in arrears are issued. Many people point this money to send their children to school and for the elderly. see a doctor. Xie’s answer was disappointing and angry. The desperate migrant workers opened the office of Zhang Jian (Hu Xiaoguang), the person in charge of the construction site. Who knows that he has already escaped. In the face of hard-earned money being misappropriated by others, migrant workers are forced to collect collectively, but waiting for them is a shameless threat and intimidation. At this time, who can help this group of helpless migrant workers?
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